The choice of ligature is extremely important.

Test to choose wisely

For a long time, it was believed that the ligature was only meant to secure the reed against the mouthpiece. Today, we know that this view is incomplete, as the mouthpiece, reed, and ligature vibrate slightly, playing a crucial role in sound creation, projection, and color.

Each BG ligature provides a different sound. Therefore, the choice of ligature is extremely important. Compare different models of BG ligatures.

    Fabric and metal ligatures cannot be compared

    One is not better than the other; they are simply different. Studies conducted by BG since 1985 show that the type of ligature used depends on the context: studio or auditorium, rehearsal, or concert.

    Every musician should even have multiple ligatures because each BG ligature offers a different sound for each situation and style of music.

    In fabric ligatures, the presence of a metal plate increases the brightness and projection of the sound. The presence of a rubber plate adds roundness and warmth to the sound. Each ligature fulfills a specific need.

    • Fabric ligatures are recommended for small rooms or when seeking a more intimate sound. They are perfect for chamber music.

    • Metal ligatures are perfect for large concert halls and for soloists who need a more expansive sound. The coating of each ligature (gold, silver, rose gold, black) impacts the sound color.

    FABRIC LIGATURE = Round sound

    • Small concert halls
    • For ensembles and chamber music
    • Intimate venues

    METAL LIGATURE = Broad, bright sound with projection

    • Large concert halls
    • Orchestras
    • Soloists

    All BG ligatures are handmade in France, adhering to strict criteria (weight, metal surface, design, etc.). All models are patented.

     

     

    HOW TO CHOOSE A LIGATURE

     

    • First, play a piece you know well with your usual ligature to establish your sound reference in the room where you conduct the test.
    • While staying in the same room, change one component at a time, and test the new ligature based on criteria such as ease of transition between registers, volume consistency, and sound quality in the low, medium, and high registers.
    • Simultaneously, pay attention to subtle differences when playing pianissimo and fortissimo passages.
    • Check the ease of articulation in all registers.
    • If possible, it's always preferable to try with another musician familiar with your usual playing style who can help you appreciate the following three key points: a-) How you feel while playing, b-) what you hear while playing, and c-) what the audience hears.
    • Try different ligature models. Different types of ligatures meet various requirements.
    • Compare: "The best ligature is the one that suits you best." - Franck Bichon.